Show 8pm // $22 Advance & $27 Day of Show
***This is a standing room general admissions show. There will be a limited number of chairs located in the back of the concert hall. Seating will be first come first served. The restaurant will be open for dinner starting at 4pm.
Felton Music Hall Presents:
COLBY ACUFF
with BENJAMIN DAKOTA ROGERS
Sometimes it seems like country has forgotten its wild roots – or least outgrown them, changing
as it has to reflect an ever-evolving world. Then there’s a guy like Colby Acuff.
A fourth generation Idaho native with a rugged spirit true to his mountain home, honest-to-a-fault
lyrics and a sound as raw as the remote wilderness, Acuff’s untamed brand of country stands
proudly apart in today’s format, pure and untouched by modern gimmicks.
Self-taught and largely self-contained, he’s already used it to find success on his own terms. Just
don’t expect him to follow the pack.
“If you wanna do something right, you’ve gotta do it yourself,” Acuff says, speaking with the
hardscrabble charm of an old-soul troubadour.
Hailing from Coeur d'Alene, Idaho, a Rocky Mountain oasis near the very top of the continental
U.S., that proudly-independent attitude forms the heart of Acuff’s outgoing personality – and a
creative drive stretching all the way back.
Growing up, Acuff was always busy with three things – fishing, duck hunting and making music –
and it was music that captured his imagination. He learned piano at 5, drums at 9 and guitar at 11,
took the stage for the first time at 12 and was even writing songs by 15 – and even those early
efforts were unique, inspired by bold artistic outliers.
Favorites included bluegrass trailblazers like Flatt & Scruggs, who broke away from the great Bill
Monroe to go their own way, plus country “outlaws” like Waylon Jennings and Willie Nelson –
some of the first to successfully buck the Nashville system. Even modern-day mavericks like
Sturgill Simpson and Tyler Childers have his admiration, although Acuff has always followed his
own winding path. So winding, in fact, he eventually wondered what else he could do ... and with
typical go-your-own-way flair, went and found out.
Studying economics in college, Acuff excelled in finance, sold real estate for rent money and was
even offered a job as a junior stockbroker – a cushy opportunity for any recent graduate. But he
turned it down cold. He could have worked 15 years and been handed a successful business,
Acuff explains. But that wasn’t him. As much as he bristled at the thought of office life, even
worse would be following a course he didn’t chart himself.
Instead, Acuff became a fly-fishing guide, spending days on the river and selling out bars each
night. The hometown hero traveled the Northwest releasing three independent albums from 2020
through 2022, including the “life changing” If I Were the Devil.
From two-stepping honky tonk anthems with a frontier philosopher's eye, to serene campfire
confessions, full of spiritual scar tissue and road-weary wisdom, each one was written solo and
pulled straight from the life he actually lived – and because of that, none were your “typical”
country song.
“I’ve never written for radio, I’ve never written for anything other than me and my fans – and I
don’t write love songs,” Acuff says with a laugh. “My girlfriend hates that about me.”
Working with acclaimed producer/engineer Eddie Spear (Zach Bryan, Brandi Carlile, Cody Jinks),
Acuff’s released his major label debut, Western White Pines, in 2023. Another batch of gritty,
solo-written songs – plus the first ever cowrites of a promising career – it introduced a country
talent as wild and free as the Idaho mountains themselves. The collection was regarded as one of
the year’s best albums by Saving Country Music, Whiskey Riff, All Country News, Country Chord,
and more.
He’s on the road with Flatland Cavalry and 49 Winchester throughout the spring and will join
Luke Combs for stadium dates across the country this summer. But despite this new chapter, he’s
got no plans of taming down.
“You’ve got two options: you can make music for you and the people who are gonna hear it, or
you can make music for the people who are gonna pay for it,” Acuff says. “And I always lean
toward making music for you and your fans.”
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